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Archive for December, 2012|Monthly archive page

Restless (2012)

In based on novel, BBC, Crime, new, period drama, political, Recommendation, Review, romantic, Spy, war on 29/12/2012 at 2:13 pm

Spies, I do love spy stories. WWII ones best. And Restless, adapted from the William Boyd novel by William Boyd himself, is a great two-part Christmas treat.

The story starts in the 1970s when seemingly ordinary and seemingly English mum Sally (Charlotte Rampling) reveals her secret past and identity to her daughter Ruth (Michelle Dockery) because she believes someone is trying to kill her. We then go back to where it all started: Paris in the 1930s and on until Sally’s spy story ends during the war, catching up with ongoings in ‘present day’ 1970s in the meantime. Double period drama, and the 1940s definitely wins ten times over on aesthetics.

Young Sally, or Eva, or whatever other assumed name she had when working for the British security services, is enchantingly played by Hayley Atwell. Her boss Lucas Romer (Rufus Sewel) is intriguing, seductive, dangerous and comforting all in one – and the story in the past unfolding simultaneously with the present keeps you interested in both throughout. There are some glitches in the plot, for example: if someone wanted and old woman dead, why didn’t they just go ahead and kill her? There are more little things that just don’t add up and it does stand out in a spy drama. But then, the story of the young Eva/Sally is otherwise so engaging that it’s easily forgiven.

 

 

The Making of a Lady (2012)

In based on novel, Classic Story, Crime, film, period drama, Recommendation, romantic on 18/12/2012 at 11:27 pm

Here’s a nice little Christmas treat from ITV. The title of this story is a bit deceptive: think less satin sashes, more creaky old house and macabre stuff. It starts with a poor girl who marries into aristocracy, but unlike in most historical dramas of this sort, that’s not the problem. The Making of a Lady, based on Frances Hodgson Burnett’s The Making of a Marchioness, subtly turns thrilling and unsettling for reasons I won’t disclose because that would spoil it all.

This tale’s simple premise unwraps nicely and it’s very well made and entertaining. It’s more a thriller than anything else: not much dealing with the topics of the time or anything too complex. It keeps things quite close to home and hearth, but I think it deserves praise for this: it’s the story on its own that carries so well, it doesn’t even need any heightened class tensions or politics to make it more interesting. An overall great cast is complemented by Joanna Lumley‘s debut as the grumpy rich auntie, and she does it splendidly.

The Making of a Lady is on ITV player for UK viewers. A trailer will be available soon I’m sure.

The Secret of Crickley Hall (2012)

In BBC, Crime, new, out of this world, Recommendation, Review, series, supernatural, war on 04/12/2012 at 7:53 pm

There’s nothing like a big old house that used to be an orphanage as a backdrop for a spooky story. It’s a bit of a cliché, admittedly, but then this 3-part BBC mini do is so tense, intriguing and well acted that it overpowers its obvious setting.

Eve and Gabe Caleigh (Suranne Jones and Tom Ellis) are a happy, busy urban couple with three kids. One day, Eve briefly dozes off at the playground and her young son Cal goes missing. A year later they move to the remote Crickley Hall, where Gabe hopes his wife might be able to start letting go of their son. But, Eve has a sort of telepathic connection with Cal, and she can hear his voice inside the heavily haunted house.

Crickley Hall was a small orphanage during WWII, and all the children supposedly drowned in a flood. However, there’s a complex mystery to be unravelled, especially since Mr Cribben (Douglas Henshall) is spooking about with his cane, terrorising the ghosts of the children as well as all the living people in the house.

The plot is complex, running between present (missing son and family dynamics), past (what really happened to the children?) and past meets present (survivors who get involved). It’s not predictable and avoids sappiness and melodrama, even though the heavy emotions involved easily provoke both. A good watch. Not if spooks spook you out, though. It’s not terrifying, but very intense and absolutely quite spooky.